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It’s almost as if you can feel the city through Luar’s runway collections and, now, his wider commercial designs. The designer is a keen observer, and his brand is an amalgamation of 35 years of looking in on every echelon of New York City society. I have been emerging for like 10 years - so it’s about trying to get established,” Lopez said of his change in approach.

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“I think for me, it was trying to figure out how to align myself with these bigger brands and not seem so emerging. He also visited family in the Dominican Republic, where he noticed women’s attachment to Michael Kors accessories - their ballet flats with little MK charms and handbags maintained with the care of a Birkin - and decided to get more in line with that branding mentality. Lopez rode out the pandemic in Cayman Islands, where he worked as a creative consultant for the popular resort Palm Heights. His office - a three desk-wide cubicle in the co-working space Camp David - is stuffed with garment racks and handbags, storing the entire contents of his brand archives since it returned with a more commercial bent. Inside are vintage Nina Ricci gold clip-on earrings, a bejeweled costume watch, and a multifinger ring that spells out Luar. On a recent afternoon, Lopez is at his office in Industry City area of Brooklyn, New York - rummaging through a plastic Cartier backstock case that he uses to transport his personal jewelry collection around the city. It also won him the CFDA Award for Accessory Designer of the Year. It’s been in the window of Bergdorf Goodman and, this past December, was in the clutches of dozens of partygoers at any given Art Basel Miami Beach event. The Ana, which has been offered in pony hair, iridescent and embossed ostrich finishes, has sold in the “thousands,” according to Lopez. The style helped propel Lopez further after a decade of futile attempts at high fashion under his own name. This follows the 2021 relaunch of his collection, which included the “Ana” bag, a granny purse hybridized with a Wall Streeter’s briefcase, all shrunken down to itty-bitty TikTok proportions. Last month, he launched the brand’s first commercial ready-to-wear collection, with most pieces priced under $250. So everyone has a place to come,” the designer said of his ambitions. I want it to be the YMCA of fashion - the Boys and Girls Club.

Like AOL chat rooms - you know, everyone is in there and doesn’t know each other and becomes friends. I want to grow this to a place where kids are lining up and want to hang out and buy clothes. I want to make a world where everyone comes to Luar and it feels good. Inside the VIP Tent at the 2023 Veuve Clicquot Polo Classic

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