“And given that the Super Bowl was effectively in Compton this year, in a stadium that was built a stone’s throw from where Dre and a huge number of influential music artists spent their formative years, it was crucial for us as a team to do justice to the art of the artists. “This show was a celebration of a genre of music that really ignited a cultural change throughout the world,” said Director Hamish Hamilton in the statement.

The stage paid homage to the city of Compton, including “Eve’s After Dark,” a nightclub and studio where Dr. He sensed that Compton would be another protagonist in the work and that we could etch a map of Compton on the global Super Bowl stage.” “Dre was immediately interested in the idea of ‘placeness’. We knew the halftime would be taking place in daylight – which might suit a sculpture or parade more than a light show,” explained Devlin in a statement. “Both Dre and Jimmy Iovine were drawn more to the studio’s art installation works than the shows. Dre to design a one-of-a-kind sculpture, inspired by the birthplace of hip hop. To create this year’s setting, acclaimed creative director Es Devlin worked with Dr. Blige, Eminem, Kendrick Lamar and 50 Cent.Īn array of beautiful cinematic cameras and lenses accompanying state-of-the-art and custom-designed rigging systems, this year’s halftime show proved to be one to remember for not only just the Crib Walk but also the feat of technical complexity. Produced by Roc Nation, DPS, and Jesse Collins Entertainment, the halftime show took place in Inglewood, California, featuring an all-star lineup including Dr. With over 112 million viewers, this year’s Super Bowl Halftime Show lived up to the hype as one of the most-watched in the last five years and it was allow powered by an impressive array of cinematic quality cameras and other gear backed by an adaptable team that had to work within the conditions of a live musical performance. How Super Bowl LVI’s halftime show got a cinematic lookīy Matt Collins Article may include affiliate links

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